Wednesday, January 26, 2011

Bordeaux

Bordeaux
To begin I have to say that there have been countless books written on this wine region and its famous chateau, and so a full detailed description would take far too much time and space to include here.  What I will attempt to do is to give consolidated account of the region so as to make it a bit easier to understand the place, and more importantly what is in the bottle that you are considering purchasing.  A fair deal I figure.
Bordeaux is a very large place, the largest appellation in all of France in fact.  To make it as easy as possible I am going to divide the region into 3 parts and discuss them a separately.  But first, where is Bordeaux?  The region itself is centered around the city of the same name and has a long history due to its location.  It can be considered coastal, as it is not so far off from the Atlantic Ocean, but more importantly as a port city due to its being on the banks of the beginning of the Gironde River.  Right around the city itself is where the 2 smaller rivers, the Garonne towards the south and the Dordogne towards the east converge and the Gironde flows north towards the ocean.  And so this is very important to understand the land, but also for the ease of division.  Region 1 will be the Right Bank, Region 2 will be the Left Bank, and Region 3 will be Graves.
Before I begin with the regions I want to lay down the foundation, the rootstock have you, aka the grape varietals.  To keep it as simple as possible, there are 5 red varietals and 2 white varietals that will make up the wines of Bordeaux.  For the reds you have Merlot, Cabernet Sauvignon, Cabernet France, Malbec, and Petit Verdot.  For the whites it is even easier, Semillon and Sauvignon Blanc.  

Region 1: The Right Bank
When people refer to the Right Bank, they are talking about the West Bank of the Gironde River and as it extends into the Dordogne River through the region Libournais.  The two major appellations for wine are Saint Emilion and the smaller Pomerol to its immediate west.  The most important single fact about the Right Bank to know is that this is Merlot country.  By far the most widely planted varietal here, followed second by Cabernet Franc.  The reason for this is the soil.  Each of the 3 regions has differences in their soils, making each one unique.  What makes the Right Bank so unique is that it is dominated by Clay soils, which Merlot tends to thrive in.  There is great variety throughout though, with limestone, gravel, and sand being intermixed in varying consistency within the region.  This makes for different wines to be produced from properties which are very close together.
For Saint Emilion, which is the largest of the important communes on the Right Bank, you have a history with vineyards that goes back farther than the Medoc.  It was only in 1958 though that a classification was put into place.  It is to be revised every 10 years, with the last officially recognized revision being done in 1996.  2006 was ruled void, and so we will have to wait for the next attempt a few years.  Premier Grand Cru Classe is the highest level, but the interesting thing here is that there are two levels, an A & a B.  Only two wineries, Chateau Cheval Blanc (which sits on the Western border of the commune) and Chateau Ausone (which backs up to the southern edge of the town proper) are Level A, with 13 houses currently recognized as level B.  Next there are Grand Cru Classe wines and then Grand Cru wines.  You can also find wines simply labeled as Saint Emilion A.O.C. before entering the Bordeaux label.  There are a lot of Saint Emilion wines on the market these days, a lot of it for good value too, and so enjoy trying unknown houses and finding those gems in the rough.  You will pay more for Premier and Grand Cru Classe wines, but they more often than not will be of very high quality and worth the investment.
To the west of Saint Emilion, and sharing its eastern border with, is Pomerol.  In comparison this commune is very small in size, the smallest in Bordeaux in fact, and number of chateau as well.  The skinny is that the soils here are very similar in make up with clay dominant but you find a lot more sand and gravel in the topsoil depending where you are.   A main point of the wines of Pomerol is that they again are Merlot dominant, but usually much more so than Saint Emilion.  They have much less Cabernet Franc and almost no Cabernet Sauvignon within the vineyards. 
The commune does have a long standing history, but interestingly enough has never been classified with any type of ranking system.  There are a few speculative reasons for this, but let's leave it up to the speculator's.  In a commune with ambiguity among the ranks you also find the most expensive wines in all of Bordeaux, possibly even the world.  The first to mention is Chateau Petrus which sits on the eastern side of the commune, lying on a little hill higher in elevation than most in the region and very close to the border of Saint Emilion.  The soil here in the vineyards of Petrus are a special loamy mix, comprised of clay, sand, and silt over an iron rich subsoil.  This combination gives the vines plenty of minerals while keeping the available water low enough to produce high quality grapes.  The wine is almost purely Merlot, very rare, supremely expensive, and ridiculously delicious. 
Then there is the little house on the prairie called Chateau Le Pin.  A wine that is more sought after by many collectors than even Petrus due to its lower quantities, this is a wine that is only obtainable by the wealthy and elite.  To date I have only physically seen a bottle of Le Pin once, two bottles (1996 & 1999) in fact in Bordeaux, and on the restaurant menu they were about 7,000 Euro each, to give you an idea. 
I recommend, and I will do an article on it myself as well, to try a wine from both Saint Emilion and Pomerol of the same vintage and similar price side-by-side.  See which you like more and then go from there.
The remainder of the Right Bank is comprised of many satellite communes who can at times produce quality wines, but for the most part are mid level example of what good Bordeaux can be.  There is Lalande de Pomerol to the direct North of Pomerol proper, a poor man’s Pomerol have you.  Also to the West of Libourne is Fronsac, and more importantly Canon-Fronsac within.  In a good vintage this area can produce some age worthy reds made with pretty equal proportions of Cabernet Sauvignon and Merlot.  And lastly of note is Bourg & Blaye which is directly across the Gironde from the Haut-Medoc and can, like Canon-Fronsac produce some good value Bordeaux wines from good vintages.    
For the complete list of classified Saint Emilion houses:

Region 2: The Left Bank
Here we are talking about the Left Bank (or West Bank) of the Gironde River which extends north from the city of Bordeaux.  The region is called the Medoc and has a very long and fabled history.  The Medoc is divided into two parts, the Bas Medoc and the Haut-Medoc, and for ease we are going to concern ourselves only with the Haut-Medoc which, geographically, is farther to the south and closer to the city of Bordeaux.  This region often gets the most fame and praise from the wine community, which is interesting because they have the shortest history of the 3 major regions.  Up until the 17th Century the Haut-Medoc was marshlands, estuaries of the mighty
 Gironde River.  It was the Dutch mainly that devised the idea to cut canals into the area and effectively drain the area out.  What remained was the perfect soil to grow Cabernet Sauvignon on.  The Haut-Medoc is Cabernet Sauvignon country, as most of the bottling are majority this grape, along with varying amounts of Merlot blended in.  This region utilizes all 5 of the Bordeaux varietals in their blends, each house differing in selections and percentages of course. 
There are 6 sub-communes of the Haut-Medoc, from the north to south: Saint Estephe, Pauillac, Saint Julien, Listrac, Moulis-en-Medoc, and Margaux.  For ease we will focus on Saint Estephe, Pauillac, Saint Julien, and Margaux as these are the most important areas.  Even as early as the beginning of the 1700’s producers had begun to build quite a reputation in the Haut-Medoc, but we will fast forward to 1855 and the Paris Exhibition.  This is the site of, and reason for, the first official classification of Bordeaux wines, more specifically, wines of the Haut-Medoc.  It was done by the merchants and the exporters, taking into account the chateau and the price of the wine on the market at the time.  In all 61 chateau were classified, 60 of them from the Haut-Medoc (Chateau Haut Brion was the only outsider, being from Graves south of Bordeaux).  The wines were divided into 5 levels or growths, with
 1st Growths being the highest award, Premier Grand Cru Classe.  There were only 4
houses awarded this merit, Chateau Lafite Rothschild (Pauillac), Chateau Latour (Pauillac), Chateau Margaux (Margaux), and Chateau Haut Brion (Graves).  Chateau Mouton Rothschild was originally a 2nd Growth, elevated in 1973.  This
single move is the only time the 1855 Classification has been amended.  In the Classification were also the Sweet dessert wines from the Southern Graves, Sauterne and Barsac.  Those will be covered in their respective section.  The Margaux commune has the most houses classed at 21, with Pauillac right behind at 18. 
Because of the lack of revision in over 150 years the classification holds great history but not as great significance these days.  Due to much improvement in certain chateau, and consequently decline in others, there are instances where the level is no longer relevant anymore.  And so because of this you have two phenomenons.  The first is the coined term ‘Super Seconds,’ which speak of wines that are non-classed 1st Growths but produce wines that rival the 1st Growths in quality each year.  The other
is that you have chateau that are not classed but produce wines that rival, and excel compared to some of the classed chateau.  I know that Bordeaux can be very confusing, even with me trying to spell it out here.  The best advice I can ultimately give is to try some for yourself and see what you think.  Also the age old rule of listening to a trusted professional to help steer you in the right direction.
It is said that the wines of Margaux are the most refined, a perfect balance between power and finesse in style.  To the north, in Saint Julien, the wines are said to be stronger in style with a bit bigger tannins, but still having great harmony and balance.  In Pauillac, which contains 3 of the 5 1st Growths, you are said to have wines of great
power and fine tannins, richly structured and densely refined.  To the far north is Saint Estephe, where the soils are noticeably heavier and containing a bit more sand and clay.  The wines tend to be very powerful, with firm tannins that are a bit rougher around the edges compared to its neighbors to the south.
In general Left Bank Bordeaux is power balanced with harmony in a glass.  This is the area for the best Cabernet based wines in the world.  Like I said before, every house has their own recipe, but most of the time Cabernet is the main attraction.  Look for wines with dark fruit flavors which will vary depending on the warmth of the vintage.  The earth tones here are dark and gravelly, often offset by the influence of the toasty accents of the barriques used for aging.  The tannins will be big, but balanced by the acidity of the other grapes in the blend, and the finish should be long and elegant.  I often enjoy the subtle nuances of each wine house which can range from the eucalyptus and violet floral notes to chocolate, licorice, or graphite shavings.    
Region 3: Graves
The word Graves translates to ‘gravel’ in French, and it is easy to see why the region is called thus when you look at a vineyard-they are full of varying sizes rocks.  The region itself as a whole is the Graves, and begins in the north with the city of Bordeaux proper.  Here is where some of the most famous vineyards in all of Bordeaux are located.  Chateau Haut Brion for instance is almost in the city and has suburbs slowly closing in on its area from most all sides.  The region continues south on the west bank of the Garonne River down to the famed regions of Barsac and Sauterne.  The region overall is versatile as it produces high class red wines, dry white wines, and of course the famed dessert wines.
Here in the Graves we still talk about Cabernet Sauvignon as the principal red, although a good percentage of Merlot is grown as well.  Cabernet Franc is also present, but Malbec and Petit Verdot are grown in very small amounts usually.  For the whites you find healthy amounts of both Semillon and Sauvignon Blanc.  Each house style that produces a white will dictate which it wants to emphasize more.  In the southern end in Sauterne it is the qualities of Semillon to be afflicted by Botrytis which makes it such a great selection for these vineyards.
In the north we talk about Pessac Leognan.  The regions of Graves and Pessac Leognan have some of the oldest chateau in all of Bordeaux, a longer history than the Haut-Medoc for sure.  It is a strange circumstance then that the region of Graves did not get its first classification until 1953, which was finalized in 1959.  The classification designated which houses were to bear the designation of Grand Cru Classe.  The classification was done for both red and white wines, and some houses were of such a quality that both their wines achieved this designation.  The sub-zone of Pessac Leognan which encompasses the northern end of the region of Graves was only recognized as a defined sub-zone in 1987, very recent given the history of Bordeaux.  This area covers all of the most famous and highest quality chateau in Graves for dry wines.
In the southern end of Graves we get into dessert wine country, the famed region of Sauterne and its neighbor Barsac.  These communes have such a long and fabled history in the European wine world that they were classified with the chateau of the Haut-Medoc in 1855.  Only Chateau d’Yquem in Sauterne received the highest designation and indeed to this day continues to be the absolute epitome of the style.  Other properties from both communes make wines that often rival the wines from d’Yquem, at a fraction of the price, and so I recommend trying one of these before you splurge on the best.  Make sure you like the style before you invest.  Still though, a glass of fine Sauterne and some Foie Gras (sorry if you don’t support in the foodstuff) is one of those perfect pairings of flavors.  I should quickly explain that Botrytis is a fungal disease that is particular to this small area, and only a few others in the world.  What happens is that this ‘noble rot’ dehydrates the grapes, thus concentrating the sugar content.  When the grapes are pressed their liquid is thick and rich.  The wines are aged for usually a minimum of 3 years in barrels and the resulting wines as mentioned are ‘liquid gold.’
The red wines of this region will often mirror the style of a wine from the Haut-Medoc, although of course with its own personality.  The big difference is due to its more southern location it does ripen a bit earlier than the Medoc, and this is a good thing.  Also because they for the most part stick more to the big 3 red grapes and use less of the blending grapes there will be subtle differences, very minor though. 
Dry white wines from the Pessac Leognan sub-zone are quite amazing, being only matched by some of the best houses in the Haut-Medoc.  Still though these are easier to source and can often be less expensive.  Only Chateau Margaux Blanc and Chateau Haut Brion Blanc enter my mind as ultra expensive White Bordeaux wines, neither of which I have had to date.  Remember there are 2 main grapes here, and either can comprise the majority of the blend.  The wines are almost always aged in oak barrique which gives them a unique texture and flavor.  Sauvignon Blanc based wines will tend to be a bit lighter in the palate and focusing more on the bright ripe fruit qualities.  Semillon is a bit fatter in the mouth and the flavors tend to lean more towards waxy apple skins and many off-fruit accents.  It is interesting to try an example of each side-by-side to identify the style and personal preference.  To be impartial, I will keep mine secret.
The dessert wines of Sauterne and Barsac are almost sensual in their flavors and bodies.  They are deep and rich and exotic, and the best chateau in the best years can be almost emotional in description.  The first time I tasted Chateau d’Yquem (Christmas Eve 2010-1995 vintage) I was at a loss of words.  They can be that captivating.  Also due to the structure and process of making these wines they are some of the longest lived wines in the bottle.  Open a great producer from a great year 20, 40, 60 years down the road and the wine can still be fantastic, truly magical.

    
 

Scansano

Located some 30 kilometers southeast of Grosseto is the small hilltop town of Scansano.  What it may lack in sheer size it more than makes up for in importance, for you see Scansano is the town at the heart of one of Tuscany’s most prestigious wines, the D.O.C.G. Morellino di Scansano.  The wines of Scansano are at the forefront of the Maremma movement in the international wine scene.  Sangiovese based, much light Chianti, but with a warmer climate and so there is a riper concentration to the fruit influence.  Wander up and down the different streets and get lost in direction, and time.  Like many other small old towns in Tuscany there is a feeling of a place that time has forgotten about.  The traffic of cars in the narrow streets will bring you back though.  This is a charming place that is still a local’s haven; the cafĂ©’s being filled with the people who keep the town alive year round.  Find a great little enoteca in Piazza Garibaldi and enjoy some wonder Morellino wines and delicious well prized Panini from traditional local products.  A day spent in this small town will be one of the highlights of any trip to the Maremma, especially with a visit to a local cantina and wine tasting blended in!


Saturday, January 15, 2011

Sauvignon Blanc

Sauvignon (Blanc)
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Not a very common grape, but one that is increasing in vineyard plantings and popularity in Tuscany is the French grape Sauvignon (Blanc).  The Italians drop the Blanc label and simply refer to it as Sauvignon.  In an attempt to increase the recognition of Tuscan white wines in the international market, international grapes have been adopted, thus the influx of this foreign grape to Tuscany.  Traditionally best as a crisp fresh white wine that is naturally high in acid and rich with citrus and herbaceous flavors, it is one that, like Vermentino, enjoys the influence of the natural herbal shrubbery of Tuscany.  It is a vine that does enjoy the cooler climates where is can stay high in acid, and so the high altitude and coastal sites are best.  It also does quite well in the north of Italy in the cool climate high altitudes of the Alps.  Although not common, there are good examples of Tuscan Sauvignon on the market and in the movement to recognize Tuscany for its white wines in addition to its famous reds, more quality big-name bottling will reach the shelves.          

Chardonnay

Chardonnay
File:Chardonnay Moldova.JPG
Chardonnay seems to be the preferred white wine of the world.  In almost every wine producing nation on the planet one can find the Chardonnay vine being cultivated.  It is native to the Burgundy region in France, but because of its versatility and resilient nature, as well as commercial viability, every region in Italy has examples of Chardonnay being produced.  Like many other international grapes, it is believed that this vine began showing up in vineyards after the phylloxera epidemic towards the turn of the 20th Century as a change from many of the unknown indigenous varietals.  Tuscany, of course, has its quality examples to add to the market as well.  It is very interesting because just like all over the world the Chardonnays being produced in Tuscany are really a window into the climate with which it derives from.  Think about the difference from a Chablis, in the far north stretches of the Burgundy region, and how crisp and refreshing and highly acidic and precise these wines are.  Now consider a Chardonnay from Mersault further to the south in Burgundy.  These wines have a much different climate and soil-terroir in fact- and also have different general production methods.  The wines produced are much richer and more full bodied, creamy and rounded with much a much different fruit profile.  The same phenomenon can be cited in Tuscany, and it is this characteristic that indeed makes Chardonnay so interesting.  Growers in the high altitude cool climates of Chianti Classico are having much different results than those growing the vine in the Maremma.  There are two styles to Chardonnay and they really define the flavor profile of the grape.  The first is more the Chablis-style, where freshness and acidity are preserved by not allowing maleolactic fermentation to begin and to keep the wines aging confined to cold temperature stainless steel tanks.  With this style more of the green apple and citrus notes are preserved and one gets more the essence of cool weather minerality notes on a dry crisp acidic finish.  The second style is in the opposite school of thought, to put the juice into barrels to ferment on the lees (sediments from the crushing of the grapes) and to go through with maleolactic fermentation so as to convert the tart acids to the creamier acids.  It is this process which gives these wines the more full bodied mouth feel and the resulting flavors of butterscotch, cream, and toasty nutty qualities.  The fruits will be riper as well, more the yellow apples and exotic tropical fruits like pineapple for example.  Most bottles will not tell which method has been chosen, the back label description is always a good place to check, and so one should really know the style of the house producing the wine and what direction they prefer for their Chardonnay.  A good test, but not always true, is the price tag.  Often the more expensive the Chardonnay, the more oak influence it has seen.  But this is by no means a truth, as there are very many expensive bottles of Chardonnay from around the world that have more of the fresh crisp style in mind.  Try a quality representation of both styles and figure out for yourself which is more preferred.
Chardonnay seems to be the preferred white wine of the world.  In almost every wine producing nation on the planet one can find the Chardonnay vine being cultivated.  It is native to the Burgundy region in France, but because of its versatility and resilient nature, as well as commercial viability, every region in Italy has examples of Chardonnay being produced.  Like many other international grapes, it is believed that this vine began showing up in vineyards after the phylloxera epidemic towards the turn of the 20th Century as a change from many of the unknown indigenous varietals.  Tuscany, of course, has its quality examples to add to the market as well.  It is very interesting because just like all over the world the Chardonnays being produced in Tuscany are really a window into the climate with which it derives from.  Think about the difference from a Chablis, in the far north stretches of the Burgundy region, and how crisp and refreshing and highly acidic and precise these wines are.  Now consider a Chardonnay from Mersault further to the south in Burgundy.  These wines have a much different climate and soil-terroir in fact- and also have different general production methods.  The wines produced are much richer and more full bodied, creamy and rounded with much a much different fruit profile.  The same phenomenon can be cited in Tuscany, and it is this characteristic that indeed makes Chardonnay so interesting.  Growers in the high altitude cool climates of Chianti Classico are having much different results than those growing the vine in the Maremma.  There are two styles to Chardonnay and they really define the flavor profile of the grape.  The first is more the Chablis-style, where freshness and acidity are preserved by not allowing maleolactic fermentation to begin and to keep the wines aging confined to cold temperature stainless steel tanks.  With this style more of the green apple and citrus notes are preserved and one gets more the essence of cool weather minerality notes on a dry crisp acidic finish.  The second style is in the opposite school of thought, to put the juice into barrels to ferment on the lees (sediments from the crushing of the grapes) and to go through with maleolactic fermentation so as to convert the tart acids to the creamier acids.  It is this process which gives these wines the more full bodied mouth feel and the resulting flavors of butterscotch, cream, and toasty nutty qualities.  The fruits will be riper as well, more the yellow apples and exotic tropical fruits like pineapple for example.  Most bottles will not tell which method has been chosen, the back label description is always a good place to check, and so one should really know the style of the house producing the wine and what direction they prefer for their Chardonnay.  A good test, but not always true, is the price tag.  Often the more expensive the Chardonnay, the more oak influence it has seen.  But this is by no means a truth, as there are very many expensive bottles of Chardonnay from around the world that have more of the fresh crisp style in mind.  Try a quality representation of both styles and figure out for yourself which is more preferred.
Chardonnay seems to be the preferred white wine of the world.  In almost every wine producing nation on the planet one can find the Chardonnay vine being cultivated.  It is native to the Burgundy region in France, but because of its versatility and resilient nature, as well as commercial viability, every region in Italy has examples of Chardonnay being produced.  Like many other international grapes, it is believed that this vine began showing up in vineyards after the phylloxera epidemic towards the turn of the 20th Century as a change from many of the unknown indigenous varietals.  Tuscany, of course, has its quality examples to add to the market as well.  It is very interesting because just like all over the world the Chardonnays being produced in Tuscany are really a window into the climate with which it derives from.  Think about the difference from a Chablis, in the far north stretches of the Burgundy region, and how crisp and refreshing and highly acidic and precise these wines are.  Now consider a Chardonnay from Mersault further to the south in Burgundy.  These wines have a much different climate and soil-terroir in fact- and also have different general production methods.  The wines produced are much richer and more full bodied, creamy and rounded with much a much different fruit profile.  The same phenomenon can be cited in Tuscany, and it is this characteristic that indeed makes Chardonnay so interesting.  Growers in the high altitude cool climates of Chianti Classico are having much different results than those growing the vine in the Maremma.  There are two styles to Chardonnay and they really define the flavor profile of the grape.  The first is more the Chablis-style, where freshness and acidity are preserved by not allowing maleolactic fermentation to begin and to keep the wines aging confined to cold temperature stainless steel tanks.  With this style more of the green apple and citrus notes are preserved and one gets more the essence of cool weather minerality notes on a dry crisp acidic finish.  The second style is in the opposite school of thought, to put the juice into barrels to ferment on the lees (sediments from the crushing of the grapes) and to go through with maleolactic fermentation so as to convert the tart acids to the creamier acids.  It is this process which gives these wines the more full bodied mouth feel and the resulting flavors of butterscotch, cream, and toasty nutty qualities.  The fruits will be riper as well, more the yellow apples and exotic tropical fruits like pineapple for example.  Most bottles will not tell which method has been chosen, the back label description is always a good place to check, and so one should really know the style of the house producing the wine and what direction they prefer for their Chardonnay.  A good test, but not always true, is the price tag.  Often the more expensive the Chardonnay, the more oak influence it has seen.  But this is by no means a truth, as there are very many expensive bottles of Chardonnay from around the world that have more of the fresh crisp style in mind.  Try a quality representation of both styles and figure out for yourself which is more preferred.
 

Viognier

Viognier
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A native vine of France most famous from the Northern Rhone Valley, Viognier is finding a welcome home in the coastal regions of Southern Tuscany.  Not as popular as the native Vermentino, although it is gaining many supporters each vintage as high quality examples are released to the market.  It is a vine that thrives in warm sunny climates where water supplies can be in short supply, and thus enjoys the Maremma region quite well.  Wines produced from Viognier can be characterized as highly aromatic and robust, perfumed full bodied whites.  Some so much so that pairing with a food dish becomes increasingly difficult.  In the recipes section we have a delicious successful solution for that problem!  The wine tends to be golden in color with a strong concentration and a higher alcohol level, with fruits of very ripe apricots and peaches even going towards tropical fruits like mango and pineapple.  Again it is a very perfumed varietal and so good examples will also have strong floral notes that are accented with spicy notes on the finish.     

Malvasia

Malvasia
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Like Trebbiano, the Malvasia species of vine is one that has many different subspecies throughout all of Italy.  It is an old vine as well, thought to have been brought over thousands of years ago by the Greeks.  The grape is seen in a similar light as Trebbiano, not highly interesting on its own, and so is almost always blended with Trebbiano throughout Italy, including Tuscany.  It appears that Malvasia and Trebbiano have indeed found themselves a great marriage in Central Italy.  The most famous wines produced from Malvasia are again the Vin Santo wines of Tuscany (See Trebbiano above).  Still white wine versions are produced, but are increasingly rare and usually only available locally around the town of their production. 

Trebbiano Toscano

Trebbiano Toscano
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By far, Trebbiano Toscano is the most planted white grape in all of Tuscany.  The Trebbiano family is the most planted white grape in all of Italy in fact, and the Toscano version is the most common throughout all of Central Italy.  In France, the grape is also very popular, especially in the production of Cognac, as the varietal Ugni Blanc.  It is a vine that is highly productive, resistant to disease and pests, and naturally high in acidity.  All of these qualities made it a very popular vine to grow after World War II when Italy was attempting to rebuild itself and increase its exports to the international market.  Most always, if you are drinking the house white in a Tuscan trattoria, you are drinking a Trebbiano based wine.  It’s most well known and highest regarded wines are the Vin Santo wines of Tuscany.  These are dessert style wines that have a special history.  These wines are unique and intense, and with the traditional almond biscotti you truly find a perfect food and wine pairing.  In these wines the Trebbiano is blended with Malvasia and the grapes are first dried, passito, so as to concentrate the sugars and intensify the flavors.  The juice produced from the dried grapes is vinified in very small barrels, chestnut or oak, and left to age for years without ever topping off the barrels.  If one has never experienced these ‘holy wines’ then it is not recommended-but mandatory- to do so, otherwise one cannot truly understand and appreciate a Tuscan meal to its total fulfillment.  Don’t forget the almond biscotti for dunking either.     

Vernaccia

Vernaccia
Picture of San Gimignano, Tuscany, Italy - Free Pictures - FreeFoto.com
Relatively speaking, Vernaccia (coming from the Latin word for ‘indigenous’) is the most important white grape in Tuscany.  I say relatively because it has a long history and has been a wine recognized by the international market for some time.  The vines are of native origin, and can be found all throughout Italy, but the most important of all the Vernaccia types are the vines around the medieval castle town of San Gimignano.  Vernaccia di San Gimignano was the 1st D.O.C. region granted status in 1966.  It later was elevated to D.O.C.G. status in 1993.  Its history is recorded in city records going back to the 13th Century, thus the importance in more recent times with the D.O.C.G. status.  Unfortunately, the story of Vernaccia di San Gimignano has a dark age, much in the same style as Chianti.  As a way for Italians to increase exports and make more profits, much of these wines that were distributed during the 1970’s and 1980’s were of very low quality and for the most part indistinguishable as anything more than a light white wine.  The movement of late has been changing this, and there is much improvement, but one must understand that this is a light white wine true and true.  For one that enjoys the robust flavors of a barrique fermented Chardonnay, Vernaccia may fall short on the palate.  The grape is naturally light in aromas and flavors, with a soft florality and tinges of bitter almond on the finish.  To increase its appeal to the international market many producers have begun to increase grapes into the blends of this wine that are fuller in body and higher in aromatic complexities, like Chardonnay and Viognier.  Because of this though, many producers are having to declassify their wines to Toscana Bianco I.G.T. wines, much the same phenomenon as the ‘Supertuscan’ trend with reds in the 1970’s and 1980’s.  Still, it is highly recommended to try both styles and decide for yourself which style is more preferred.

Vermentino

Vermentino
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Vermentino is a grape that calls home to a few different places, but finds a very comfortable setting in the Tuscan coastal regions.  Also very commonly found on the island of Sardegna and Liguria to the North, as well as the South of France where it is called Rolle.  Vermentino is a grape that is quite resilient, thriving in climates that are warm and lack rainfall.  At the same time though, the coastal regions where it is common also provide a cooling effect from the ocean as well as the proper soils for it to not only be productive but high in quality as well.  Tuscany is a region that is often thought of only for its red wines, which there are many different examples to list, but often overlooked for its white wines.  Vermentino is leading the movement for white wines in Tuscany, not only for the local market but for the international customers as well.  The grape is high in acidity giving it a wonderful natural crispness, as well as having a savory component which is contributed to by the salty influence of the nearby sea.  Flavors will tend to lean towards the melon and citrus components as well as white stone fruits, and the trademark of a good Vermentino can be measured by the herbal aromas of the local vegetation of the coastal stretches of Tuscany.  I encourage those that are unfamiliar with Vermentino to substitute it for an Italian Pinot Grigio the next time they are looking for a good Italian white wine.

Friday, January 14, 2011

Alicante

Alicante (Al-ih-kann-tay)
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Most everyone knows this grape as Grenache, or Garnacha in Espana, but here in Italy the common synonym is Alicante.  Most famous from Sardegna, but also gaining some stronghold as a blending grape mainly in the Maremma in Tuscany.  A durable vine that is heat resistant, the wine produced will be red berry fruit dominant with background of floral and spice components.  The wine can be high in alcohol due to the sugar levels and the warm regions it is popular in.  Also of note is Alicante Bouschet, an Alicante cross that is more robust and will pop up in vineyards sporadically throughout Italy.

Ciliegiolo

Ciliegiolo (Chee-lee-jo-lo)
Ciliegiolo, like Canaiolo Nero, is an indigenous red grape to the Tuscan region.  Unlike Canaiolo Nero though, it is a grape on the rise not only for blending but also for pure varietal bottling showing much promise, especially in the Southern Maremma.  The name derives from the word for cherry in Italian, ciliegi, and when tasting the wine one can immediately see why.  As of recent discovery Ciliegiolo has been discovered to be the parent of Sangiovese, thus giving it an even more interesting story.  Similar to Canaiolo Nero, the grape is intense with its cherry flavors and color in fact, and has a softness to it that can blend well with Sangiovese based wines. 

Canaiolo Nero

Canaiolo Nero (Kan-eye-oh-lo Near-ro)
This is an indigenous grape to the region of Tuscany.  While not very well recognized by many, it is a grape of great importance and a long history in Tuscany, especially Chianti.  For many years before Bettino Ricasoli, ancestor of Francesco Ricasoli of current day Castello di Brolio, Canaiolo Nero was for some the majority grape used.  It was Ricasoli who came up with what is now recognized as the present day recipe for Chianti wines.  Of course today, Sangiovese is seen as the star while Canaiolo Nero plays the supporting role.  It is an important role nonetheless, contributing to the wines of Chianti, Montepulciano, and Carmignano among others.  This is the traditional blending grape, and because of this many who wish to preserve the traditions of the old ways continue to support the use of Canaiolo Nero rather than the more robust Cabernet Sauvignon or Merlot which are gaining popularity.  The grape is considered a plump grape that is blended with Sangiovese so as to soften its edges and take away some of the sharp acidic qualities naturally inherit in Sangiovese.  Generally the flavors are again plump red fruits and a bit herbaceous qualities as secondary flavors, though not as complex as Sangiovese is.

Merlot

Merlot (Mur-low)
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Merlot, the most planted red grape in all of Bordeaux, finds a comfortable home in Tuscany.  While not having the same fabled history as Cabernet Sauvignon in Tuscany, should not be overlooked for it has quite an important place within the hierarchy of Tuscan wines.  Some of the best ‘Supertuscan’ wines are made with a majority, or purely, Merlot.  Ornellaia, a world famous winery most known for its Cabernet Sauvignon based ‘Ornellaia’ label also produces a wine named ‘Masseto,’ after the special vineyard on the property, purely from Merlot and it is a cult classic and highly sought after.  Also the ‘Redigaffi’ wine from Tua Rita is another cult ‘Supertuscan’ wine from pure Merlot. 
Like Cabernet Sauvignon, Merlot gained much prominence in Italy after the phylloxera epidemic in the late 19th Century.  Many producers turned to the International grapes as a way to rebound and recover from the problem.  Today, Merlot ranks in the top 10 as far as vineyard space planted throughout Italy, and trails only Sangiovese and Barbera in the red category.  Its story in Tuscany is similar to Cabernet Sauvignon, used in many facets as a blending grape to enhance the Sangiovese based wines from Chianti and Montepulciano, as well as showing itself more than useful as a majority varietal in blends under the Maremma Toscana I.G.T. designation.  Many say that Merlot is most suited to the soils of the Southern Maremma, where there is a dominance of clay intermixed with hard minerals and some sand due to the influences of the coast and the mountains.  It is indeed true that many producers are finding success with Merlot in their vineyards and the market will reflect the quality level of the Merlot based wines in this region in the upcoming years.
The grape is of medium size with a certain plumpness to it.  Slightly larger than Cabernet Sauvignon, although both grapes have a natural thickness to the skins and Merlot also contains a moderately high level of natural phenolic qualities, the compounds that produce tannins in the skins.  The wines can range in intensity of color, but should have a natural garnet red color that can darken depending on the amount of extraction partaken by the winemaker.  Merlot does best on clay dominant soils intermixed with minerals from limestone to sand and iron rich rock, thus its high level of success in the Right Bank Bordeaux communes as well as the Southern Maremma and the valley floor in Napa.  For flavors I look to the traditional berry fruits, tending to me more plump and red than the blackness of Cabernet Sauvignon, in the form of ripe cherries and red plums with secondary notes of cool dark earth and tobacco leaves.  One can also find toasted oak and coffee aromas in examples with barrel aging, which his common to do, as well as the herbaceous notes of mint and eucalyptus. 

Syrah

Syrah (Sir-raw)        
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Considered by many as the ‘new kid on the block,’ the Syrah grape is one that is slowly but surely proving itself beneficial to many producers throughout Tuscany, especially in the Southern Maremma where the temperatures are warmer.  This grape has also gained much acceptance in the South, Sicily especially, for this heat resistant quality.  Most famously from the Rhone Valley in Southern France and Australia (aka Shiraz), this is a grape to look out for in the future for high quality bottlings.  Its history in Italy is a short one, but its future is very promising. 
Syrah is a very small berry with very thick skins, and so it is naturally dark and rich in color and heavy with tannins.  The grape is widely used as a blending grape, adding color and tannin qualities to wines while intensifying the fruit components as well.  Single varietal bottles of Syrah are beginning to show up on the market under the Maremma Toscana I.G.T. designation as well, many of which of a high quality.  This vine is one that does well to struggle, thus further intensifying the aromas in the grapes.  All one has to do is look to a Chateauneuf-du-Pape vineyard in the Southern Rhone Valley to see this.  The flavors of a Syrah wine will be very intense and powerful, dark red fruits which have the essence of a dried fruit quality leading to their intensity, as well as a natural black pepper quality and dark chocolate notes.  Syrah is a grape that enjoys the mineral rich dark soils and draws many of its secondary flavors from these.  Oak influence will also contribute woodsy smoky notes which can even be as intense as to go towards smoked meat aromas.

Chianti

Chianti
 
Chianti is easily the most well known wine region in all of Italy.  More people have had Chianti wines than any other, and even the beginner wine drinker will more likely than not know the name Chianti.  Why is this?  The region is a larger one and its most famous commune is the Chianti Classico, the classic original designated area.  Charming medieval towns like Greve, Castellina, Gaiole, and Radda are the heart of this district and each deserves its place in the history of Chianti.  Located between Florence and Siena, this is where all the wealthy merchant families expanded out into the vineyards- Antinori, Frescobaldi, and Ricasoli to name a few.  The land is picturesque and the wines are delightful.  No longer to be thought of as the simple table wines in the straw covered fiasco bottles, there is a large number of quality wineries scattered throughout the land.  A holiday in Tuscany would not be complete without a visit to the most famous of all the regions in Italy. 

Montalcino

Montalcino
One of the most historic regions in all of Italy, especially for its wines, the medieval castle city of Montalcino is outdone by none in its seductive culture and aura.  A place of tradition and purity, experience firsthand what a pure Sangiovese can taste like.  Both the famous Brunello’s and the Rosso’s of Montalcino are exactly that, pure Sangiovese.  One really gets a great sense of just how powerful yet graceful the wines from this region are when visiting a historic winery and allows themselves to become immersed in the charm that is Montalcino.  Although only a very short distance from the city of Siena, Montalcino has a nostalgia that is all its own.  Enjoy some time inside the walls of the old hilltop city and take the opportunity to visit some of its local shops and get a true feel for something a bit removed from the normal for many visitors to beautiful Tuscany.  This is a destination that should be on everyone’s itinerary, especially a true lover of wine, because the seductive charm of the culture that is Montalcino is one not to be passed on.    

Bolgheri

Bolgheri

What can one say about the fabled birthplace of the ‘Supertuscan’ wines?  Truly a wonderful place, not only for its wines, but for its ambiance all around.  Rows of Cypress' and Pines lining the sides of roads, grove of olive orchards, and of course seas of some of the best grape vines in all of Italy.  The scenery alone is worth the many pictures you surely will take.  And the wines, well, the wines will leave lasting memories of a holiday that can be unmatched.  Many the world round know of the fabled Sassicaia, the wine of Tenuta San Guido, the first of the ‘Supertuscan’ wines first produced over 40 years ago now.  But in the land of the –aias’ there are a vast number of other luxury wineries to be discovered.  A day visiting wonderful wineries and tasting some of the best that Bolgheri has to offer while enjoying the magnificent views of the beautiful Tuscan coast, what more could one dream of?  So come and truly experience why this part of Tuscany is indeed so ‘Super.’

Thursday, January 13, 2011

Chianti Wine Styles

Wines Styles of Chianti
More people know the wine Chianti than any other in all of Italy.  Most people know very little about the wines of Chianti though.  For instance, to begin, Chianti is a place and not a wine per say.  Like every other red D.O.C.G. wine in Italy, the wines bearing the Chianti designation are Sangiovese based.  But when we talk of Chianti wines here, we are not including the low quality fiasco bottles covered in the straw baskets.  We are talking high quality, real reputation bottlings by some of the most famous families in all of Italy.  Families like the Antinori’s and the Frescobaldi’s have history’s that can be documented back for over 500 years.  And the Ricasoli family, well they can be attributed with developing the modern recipe for Chianti in the 1870’s.  This family is still a very strong player also, making high class wines at their estate, Castello di Brolio. 
The original region, which is now classified as the Chianti Classico, was identified as far back as the 14th Century as the hills beginning to the south of Florence and stretching south to Siena.  The major communes then, and still today, are Greve, Radda, Gaiole, and Castellina, all of which are wonderful old world towns rich with history and inhabited by fabulous enoteca ready to pour their best local products.  The Medici family, one of the most powerful in Italian history, created the first governmental legislation concerning wine and Chianti in 1716, when Grand Duke Cosimo III de’ Medici identified these four communes as high quality production zones for this wine.  Today there are 8 zones for Chianti, the Classico region as define previously, as well as 7 other zones which can be made into base labeled Chianti or bear the name of its designation.  The most famous and highest quality is Chianti Rufina, which is east of Florence.  Here you will find top quality producers like Selvapiana and Frescobaldi, who’s Nipozzano Riserva is always a smart buy.  The others are Chianti Colli Aretini near Arezzo, Colli Fiorentini between Classico and Rufina, Colli Senesi which covers over Siena, Montalbano to the west of Florence, Colli Pisani which encompasses Pisa, and Montispertoli which is west of the Classico region. 
On many bottles of Chianti Classico these days you will see the Gallo Nero, or the Black Rooster.  This is the symbol of the Consorzio of Chianti Classico, a group of member producers who are dedicated to not only improving their wines but the reputation of the whole of Chianti Classico by increasing education and improving the vineyards and cellars.  While any producer whose vineyards are located within the designated zone may use the Chianti Classico label, the Gallo Nero is a member’s only badge, and is almost always a sign of quality in the bottle.
Vin Santo is another wine that you will encounter throughout the Chianti regions.  This is the famous dessert wine of the region, made from a blend of Trebbiano and Malvasia grapes mainly that are dried for 3-6 months after harvest and before pressing.  The wine is then placed into small barrels which do not exceed 3-5 hL on average.  The wine is aged and never topped off, thus creating a quite unique taste and character all its own.  Have a glass after dinner and dip one of the local specialty biscotti into it and dessert is thus served.
Chianti Classico D.O.C.G.
 Originally defined back in 1716 by Grand Duke Cosimo III de’ Medici, this is the area between Florence and Siena.  A D.O.C. in 1967, and a D.O.C.G. in 1984 the region received major legal revisions in 1996 so as to update the requirements for these wines.  Today the blend is still Sangiovese dominant, and the majority of the Sangiovese grown here is of the Sangioveto clone, which is smaller and has thinner skin compared with The Grosso of Montalcino or Prugnolo of Montepulciano.  This combined with the traditional Galestro soils of the Classico region delivers a highly perfumed wine that is very dry and bright with acidity.  Blending is allowed here, and until 2006 one could actually blend some white wine into the mix to raise the aromatic levels, but this is now forbidden in Classico wines. 
Sangiovese from a minimum of 75% -100% is allowed, Canaiolo Nero maximum 10%, and other authorized varietals maximum 15%.  These ‘other grapes’ are most commonly Merlot and Cabernet Sauvignon which are used to improve color and darken the flavors of the wine on the nose and palate, they soften the natural dryness and acidity of the Sangiovese.  Chianti Classico must wait until October 1st following the harvest to be released, and wines with the Riserva label must wait 26 months from January 1st following the harvest, including a minimum of 2 years in barrel and 3months in bottle. 
Chianti D.O.C.G.
As with Chianti Classico, many of the restrictions are the same here.  In fact, a Chianti Classico could be simply labeled as a Chianti D.O.C.G., but this almost never happens.  As I mentioned, this is a catch all that covers the 7 sub zones of the current Chianti area.  There are a few minor differences based on slightly less stringent regulations for a Chianti wine.  A Chianti wine must only wait until March 1st following the harvest to be released onto the market, with the exception of the wines from Rufina, Fiorentini, and Montespertoli which must wait until June 1st.  For Riserva wines the aging is the same as Classico wines. 
Sangiovese is present from 75%-100% in the blend.  Canaiolo Nero with a maximum of 10%, other authorized red varietals maximum 10%, and Trebbiano and/or Malvasia at a maximum of 10%.  Here is the big difference with the Classico region, as there are still white grapes permitted into the blend of these Chianti wines.  Most producers no longer participate in this practice, but nonetheless it is still available. 
Vin Santo del Chianti & Chianti Classico D.O.C.
The ‘Holy Wine’ of Tuscany as it has been served as the wine of mass by Catholic priests at times.  Today it can still be deemed a spiritual experience as it is the most well known and recognized dessert wines to come out of Italy.  The sweetness of the wine countered with the dryness of the cookie, it works so well together it would be a shame to have one without the joy of the other to accompany along.  As stated before the grapes are dried and then pressed, and the wine itself is fermented and aged for long periods in small casks without ever being topped off.  In general, a Vin Santo will be golden amber in color and rich in its intensity of aromas.  There are notes of toffee and caramel with dried preserved dates and figs accompanied by the tinge of almond on the finish.
Trebbiano and/or Malvasia Toscana minimum 70%, other authorized white grapes maximum 30%.  The most common ‘other’ grape would be Grechetto, which is most famous for its use in Umbria for the wines from Orvieto.  The grapes are dried and then pressed, the juice being put into small casks of a maximum of 5 hL to ferment and age.  The barrels are never topped off during this time.  Normale wines are aged a minimum of 3 years, with Riserva wines going a minimum of 4 years. 
Due to the length of time and low quantity able to be produced each year, these wines are not so common, and can be expensive at times.  That said, a good reputable Italian Restaurant should offer one by the glass to experience.
Toscana I.G.T.
This is a true catch all label, as it covers the whole of Tuscany.  I include it here because many famous and respectable wines from the Chianti region are being made in ways that do not allow them to claim any other higher designation, yet.  Take the famed Antinori family.  In 1971 they released a wine named Tignanello, one of the first ‘Supertuscan’ wines on the market.  The blend is almost always around 80% Sangiovese and 20% Cabernet Sauvignon.  This wine is produced from vines on their estate property in Chianti Classico but does not conform to the Chianti Classico D.O.C.G. laws, not then and not now.  This is just one example of course, but it gives you an idea.  Remember that, like in many of the newly defined regions in Tuscany, some of the best wines do not yet conform to laws as they have been laid out.  In time there is great belief that they will.  The best thing to do is to go with trusted producers or professional recommendations when contemplating a wine labeled with one of these catch all appellation.  Don’t be afraid to experiment though, as you may be pleasantly surprised by what you find. 

Cabernet Sauvignon

Cabernet Sauvignon (Kab-bur-neh Saw-vin-yan)
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This grape is the most important International Varietal in Tuscany these days.  One would think that it does have quite a recent history in the region, but actually, Cabernet Sauvignon has been an important grape for quite some time.  The region of Carmignano, D.O.C.G. as of 1990, is located in Northwest Tuscany on the eastern slopes within the Chianti Monte Albano commune, and has been using Cabernet Sauvignon into its blend for hundreds of years.  In 1716, the Carmignano region was designated, along with Chianti, as a original controlled production zone by Grand Duke Cosimo III de’ Medici.  After the phylloxera epidemic in the late 19th Century, many producers found refuge in this variety within their vineyards as a means to begin to recover and produce quality wines again.
More widely recognized these days for Cabernet Sauvignon is the coastal region of Bolgheri in the Northern Maremma.  Here you have the fabled story of Mario Incisa della Rocchetta and the Tenuta San Guido estate, the home of Sassicaia.  From this site, where a small plot of Cabernet Sauvignon was planted in 1944 by Mario, you have the birth of the famed ‘Supertuscan’ wines some 20 years later.  The 1968 Sassicaia, the first vintage released to the public market, is the original ‘Supertuscan’ wine.  Many have followed in these footsteps and as of 2010 there are about 50 producers within the Bolgheri D.O.C. region.  While not all ‘Supertuscan’ wines are Cabernet Sauvignon based, the majority are-including most of the big names like Sassicaia, Ornellaia, Solaia, Grattamacco Rosso, Guado al Tasso, etc.  Cabernet Sauvignon has proved itself to be such a quality grape in Tuscany that it has spread throughout the region.  Many Chianti and Chianti Classico wines will have a percentage blended in, as well as many of the Vino Nobile di Montepulciano wines.  The grape is also gaining a strong preference in the Southern Maremma as well, where many of the producers have found it to do quite well in the warm southern sites.  While still Sangiovese territory, a large quantity of high class Maremma Toscana I.G.T. bottles containing majority Cabernet Sauvignon are continuing to grow in the market. 
The grape itself is a small berry with a thick skin naturally high in tannin compounds, thus the dark colors and high tannins inherit in the wines derived from Cabernet Sauvignon.   Like all wines, the productions methods will alter the flavors, but this Sommelier looks for the common characteristics of dark berries backed by some form of vegetative qualities and a strong mineral impression.  The grape does best on gravelly soil rich in hard minerals, thus its success in Bordeaux-especially the Haut Medoc- as well as the hills of Bolgheri and in California’s Napa and Sonoma Valleys.  The wine is often aged in oak barrels which will impart notes ranging from smoke and toast to vanilla, cedar, and cigar box qualities.  I also look for mint/eucalyptus notes in addition, as well as notes of balsamic vinegar in the Cabernet Sauvignon based wines from Tuscany.